Sunlight pours across a small cluster of pumpkins—some tall and ridged, others squat and smooth—each one glowing with layered washes of color that drift far beyond traditional orange. Because I relied on a primary trio, the pigments mingle in unexpected ways: reds bleeding into yellows to form fiery coral tones, blues slipping into those mixes to create shadowed violets and earthy greens that feel alive. The bright sun becomes its own character, washing the entire composition in a warm, translucent glow. Edges soften where water pooled, colors feather into one another, and the whole painting feels like a moment caught between realism and dream—alive, warm, and humming with seasonal abundance.
This is the original watercolor. 11 1/2” x 15”. It is painted on cold pressed 100 cotton watercolor paper. Just a quick note: this listing is for the watercolor painting only. The frame shown in the photos is not included.”
Sunlight pours across a small cluster of pumpkins—some tall and ridged, others squat and smooth—each one glowing with layered washes of color that drift far beyond traditional orange. Because I relied on a primary trio, the pigments mingle in unexpected ways: reds bleeding into yellows to form fiery coral tones, blues slipping into those mixes to create shadowed violets and earthy greens that feel alive. The bright sun becomes its own character, washing the entire composition in a warm, translucent glow. Edges soften where water pooled, colors feather into one another, and the whole painting feels like a moment caught between realism and dream—alive, warm, and humming with seasonal abundance.
This is the original watercolor. 11 1/2” x 15”. It is painted on cold pressed 100 cotton watercolor paper. Just a quick note: this listing is for the watercolor painting only. The frame shown in the photos is not included.”